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It was early in January of 2008 when serendipity brought me to my current practice of pen and ink on sculpted paper. Enchanted, I began experimenting with subject matter — from Heath Ledger’s iconic Joker face to a seven foot tall tree trunk, and a curated 8 foot by 6 foot twelve paneled themed exhibition piece. I continue to explore my limitations working with pen nibs and their gravity dependant dipping inks, and how different papers influence the outcome.
"It is truly fascinating how Col captured the image so organically you not only see the painting, but you feel it." - Jenna Elines,
"There is no one today that is her contemporary. She invented this completely unique technique, working with paper, paint and inks. To see them live is a visual treat." - Terry McLaughlin, Auburn Gallery
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One of the benefits of my technique is that I use very little paint (waste is exceedingly minimal.) This does require a necessity to utilize top quality mediums that feature maximum pigment load, and strong stable properties. Top quality professional artist grade paints and gels, which include UV protectors, are used exclusively. My brand go to's: Golden, TriArt, F/W Rowney, Holbein and Liquitex Professional. Dig deeper by visiting my Mediums and Materials page.
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